Do we choose what we write? Or does what we write, choose us? It’s kind of like how many licks it takes to get to the middle of a Tootsie Pop. The world may never know. But we do know, that as writers, we think about genre and the kind of story we want to tell. What if that changes? Do you dare genre hop in this publishing climate, make new writer friends, join new groups, learn the new rules?
Today we have with us Juliet Blackwell, esteemed mystery author who has now taken a leap into women’s fiction. Find out why she wrote this book, and maybe more importantly, how.
And yes, we’re (totally door-cover-sisters, I know).
Please welcome Juliet Blackwell to WFW!
My Mysterious Path to Women’s Fiction (Or how—and why—a New York Times bestselling mystery author decided to turn her hand to women’s fiction)
by Juliet Blackwell
I’m a one POV writer. At least so far. I love multi-POV novels but it’s not something I’ve tackled in my own book-writing journey. Today, author Claire Dyer shares with us some thoughts on writing a novel with multiple points of view. What are your thoughts? How do you do it? Do you stay far away from it? In the past, I’ve used short stories to experiment with POV and different literary devices and techniques. When I was reading Claire’s post I remembered I’d had a short story published that used two points of view…and I went back and read it. It was published a year before The Glass Wives (May 2013) — and I’ll be honest, it took me about a year and a half to find it a home! (So yes, I’ve always been persistent) 😉 Here’s a link if you want to read Minding Joe.
But first — share your many thoughts on managing multiple points of view in the comments.
And please welcome Claire Dyer to WFW!
It’s summer and domestic suspense is HOT! What makes me want a guest post about domestic suspense on WFW? Because many of these novels today feature women as their protagonists, and when you read Laura McNeill’s post, you’ll see how the advice transcends any strict genre lines you (we!) may have conjured up in our heads. I mean, who doesn’t want some suspense in any novel? If all the answers are right there, why bother turning the page? My favorite bit of advice below is #7—Make Things Worse, because that’s the hardest part for me and I know how important it is. Which piece of writing advice speaks to you? Please tell us in the comments! And most importantly, today is pub day for Laura’s CENTER OF GRAVITY!!! Congratulations, Laura!!
How much do you know about the characters in your writing? Do you know what they look like? I don’t. That’s right! I know everything about their lives and psyches and personalties and quirks, but not always the way they look. I don’t use doppelgängers. I know a few key things that help me write. For instance, in my upcoming novel, The Good Neighbor, Izzy Lane has short, layered hair that used to be long. She’s tall. Her eighty-five-year-old next-door-neighbor and confidante, Mrs. Feldman? I know she’s a vibrant octogenarian, but that’s it. Izzy’s best friend Jade is tall, and has long straightened hair, and Izzy’s cousin Rachel is short, and has short curly hair. WOW. I know hair, don’t I?
But I think I’m in the minority. I think most people really know what their characters look like. And that’s what’s so great about our guest post today. Here, Alana Cash gives examples and tools for really picturing your characters. Is that something you’d give a try?
I’m going to. I’m 75 pages into one WIP and two pages into another. Maybe this new method will spur my imagination in new and unusual ways.
And that’s always a good thing!
Please welcome Alana Cash to WFW. And share in the comments how you picture your characters!